Final cut pro x 10.6.112/21/2023 My company plans to wait until the end of the year to see if Apple can implement the Pro-level features we expect and need, but if they fail to deliver, we will be migrating to AVID instead. My primary question is: if it is missing a lot of the pro features that the professional user expects, then why is it called Final Cut PRO X?ĭespite all the great new stuff Apple added, there's a lot we're still left needing. Their primary competitors (AVID, PREMIERE) both offer all of those pro features, and those competitors will most likely try to take advantage of Apple's "less than PRO" release to market the benefits of their own products. While Apple MIGHT make those features available in future updates, they have a VERY LIMITED window of opportunity here. There's a lot of "PRO" features that are lacking in this initial release (as previously mentioned in other comments: lack of OMF export, lack of 3rd party hardware support, inability to open legacy FCP7 projects, inability to import from pro tape VTR's, etc, etc.). However, I am optimistic they will be implemented very very soon. Anyway, they are both big deals for me too and we will definitely not be updating at my work until those two features are at least implemented too. OMF is absolutely essential but it looks like thats been explained fairly well. But it's a HUGE red flag if you do multicam editing (concerts, fashion, realityTV) cuts the editing time down so immensely I wouldn't even consider taking on anything live with more than two cameras without it. I am boggled by the lack of multicam support considering all the other fancy shot replacement things they showed in the NAB video. It's a standard feature in every editor (Pr,FCP,Avid), soon as you multiclip/group your shots they will all show up in your viewer allowing you to see every available angle and edit as if you were using a live broadcast switcher, you can even edit on the fly with shortcuts. I've actually used it for Music Videos where every shot is in sync with the audio too and it worked wonderfully. Its used primarily for live situations but its really for anything with multiple camera shooting at the same time. Multicam support is editing multiple camera angles of the same thing. Does the iOS copy & paste fiasco sound familiar to anyone? Yeah, my point exactly. With every new product come issues, which are almost always resolved with future updates. I think everyone needs to keep their panties from getting in a twist and be patient for a bit. , being one of them, which state that these features, though missing from version 1.0 will be released in subsequent updates. Now, with those things said, I am not saying FCP X sucks like so many early naysayers. I'd say that, for me, those are pretty important features. ![]() As far as multi-clip goes, the sheer convenience of being able to manage footage from 3+ cameras from a large event sure does help. ![]() I dare say that protools > FCP X in the sound department. ![]() I use OMF export for every product after a locked cut to give to our sound engineer for sweetening and audio cleanup in ProTools. You can also tag parts of clips with Range-based keywords to add custom search criteria to your media. Final Cut Pro X then uses that information to dynamically organize your clips into Smart Collections, so you can easily find the clips you want by close up, medium and wide shots as well as media type and the number of people in the shot. The groundbreaking new Auditions feature lets you swap between a collection of clips to instantly compare alternate takes.Ĭontent Auto-Analysis scans your media on import and tags your content with useful information. You can even combine related story elements into a Compound Clip that can be edited as a single clip. You can use Clip Connections to link primary story clips to other elements like titles and sound effects, so they stay in perfect sync when you move them. “Final Cut Pro X is incredibly modern and fast, but most importantly it lets you focus on telling your story in the most creative way, while it actively manages all of the technical details.”Īt the heart of Final Cut Pro X is the Magnetic Timeline, a trackless approach to editing your footage that lets you add and arrange clips wherever you want them, while other clips instantly slide out of the way. “I’m blown away by what Apple has done with Final Cut Pro,” said Angus Wall, Academy Award-winning film editor.
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |